Building your masterpiece is only half of the problem; a poor photo can ruin a great model. Here are some tips on how to get the best out of your camera.

[All photos were taken using a digital camera]

We'll start by looking at the presentation of the photograph. Look at the photo on the right. I t has a nice clean background, and you can clearly see the monster. However, have a look at the next photograph below, and you'll see the devastating effects that background clutter can have on a photograph.

So rule number one is:

There are three good ways to create a nice background for your image. Firstly, you can use a sheet of white paper (A3 is best), which you curve up behind the image to create a smooth background. [See example]

Secondly, you can use Lego boards to create a stud background for the image. [See example]

Finally, you can do whatever you like and edit the image in a graphics package once it is on the computer.

If you cannot get hold of any large white paper or Lego brick boards, than a textured carpet is often just as effective. Choose a spot away from any spills, muck or stains to make the image look more professional.

Next, when taking a photograph, you need to be aware of how the light is falling on the picture. Compare the photo on the right with the one below:

In the first photo, the camera is between the monster and the sun. In the second picture, the monster is between the camera and the sun. This has produced a 'lens flare' effect on the photograph which is a problem for both digital and non-digital cameras. The first photograph has the sun shining directly onto it, producing a nice effect of light and dark patches, and crisp, even lines

So therefore, my second rule is:

I also ought to mention a couple of other things here. Firstly, natural light is nearly always better than artifical light, which can produce unusual discolouration effects when taking a photograph. Secondly, you should always be aware of shadows when taking the photo (see below).

Although shadows can often be very good for creating effects on photographs, but sometimes they can just be really annoying. You need to beware of shadows from three sources:
      • The object you are photographing
      • Other objects in the picture
      • You and your camera.

Look at the photograph to see the devastating effects that shadows can have. Consequently, my third rule is:

Also, beware of taking your whole photograph when it is in shadow. The image will appear very dull and black, with little or no definition and colour.